Launch Arcology (Sim City 2000)

Are Ricky Gervais, Steve Merchant and Karl Pilkington the 2009 Red Noses? No, no they are not.

I would be very suprised if nobody else has noticed the uncanny resemblence this years Comic Relief noses have with the worlds best selling podcast trio: Gervais et al. And yet, as far as publicity so far has shown, they’re not supposed to be them (http://www.youtube.com/watch?v=PCpZqVHxHx0). Perhaps some kind of deal broke down at the last moment?

Pixel MP5

I would probably agree that Pixel-Art has had it's day, but there is something very theraputic about blocking in all those colours with the pencil tool.

Star Trek: The Wrath of Chaka Khan

I could try and justify this as an experiment in video editing but it's really just a bit of mindless fun. This is a mash-up between Chaka Khan's I Feel For You and Star Trek II: The Wrath of Khan.

Snowman

Silly Snowman, If we let you in then you'd melt!

Fifteen Second Film Competition

My entry for the an as-yet-unnamed film-making competition with Stuart Bannocks and Kasper Pincis . The two requirements were that the film be 1) themed around the word "Obtuse", 2) No longer than 15 seconds.

La Braderie De L'Art

Stuart, Oli and I were invited to attend Le Braderie De L'Art (as were our good friends Oi Studio & WeMake), a 24-hour straight design-and-make festival in Lille, in the Nord-Pas de Calais region of France.

We systematically disassembled and re-represented found objects. This performance-process was designed to aid the viewer in changing their perceptions towards common, day-to-day "magic-box" electronic and mechanical objects.

Deconstructing, recording and re-organising the components of an archaic Nintendo Entertainment System:









We also stamped several hundred on-demand badge-postcard objects for visitors to the Braderie, using damaged and abandoned books.

Bat Out Of Helvetica

Nowhere/Now/Here

My Experience Value work will soon be on show as part of the cinema program at the Nowhere/Now/Here exhibition, curated by El Ultimo Grito and hosted by The LABoral Centro de Arte y Creación Industrial in Gijón, Spain .

The concepts that lie behind the piece - my exploration into the value found by taking risks and generating exposures - can also be found here (re-formatted for web).